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| Zermatt Zombies
Remains of the past, little details forgotten. Details of great importance to others. My memory is not yours, and will be different, later. The simplest form can act as an anchor, reviving the past, or creating new association. Is perception-oriented thinking a trap? Do I run the risk of falling into solipsism? Is it then futile to try to do, make, communicate, as my perceptions are mostly uncommunicable? Or do I run the risk of still doing and yet potentially not being understood at all? This buffer zone, the space between acts, paroles and others' perception can be a reservoir of freedom, or a tank of judgement and rejects. This piece itself helps differentiate open skies from zombies, as long as the experience, only the experience, is presented and no metadata, explanatory text. After reading this text, it only falls back into the inner continuum of each participant, not anymore being a construction of social link.
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Zermatt Zombies, 2007, wood and paint, 150 cm x 120 x 80 cm.
